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the music market

In USA. each year are produced and consumed in about 30,000 new cd recording industry groups and singers of all genres and music, eager to emerge.
Of these, however, 'only 5 or 6 every week are made to listen through the local radio stations. In one year, no more 'than 200 new songs are so' proposals and made known to a large audience, which in turn will decide the success of the very few bands.
It 's a natural selection? They are successful only the most 'talented? But the other 29,800 bands what happened to? Who has determined that 200 bands for radio broadcast are the best?
This arduous task is up to the good dj but especially (and unfortunately) to record companies which, to avoid mistakes (ie 'not to lose money), and propose that' similar to the market success of the moment.

In particular, here in Italy , consumers of music, that we hear only what 'is that their "REQUIRED" from the best producers, often improvised and sometimes musically incompetent. The equation: if you're good and ready sooner or later, backgrounds, (ie 'the meritocracy) in music does not make sense. Vince only the logic of the market "I propose that only products that are sure to sell."
certainly among the 200 groups "lucky" there are certainly valid and musicians with new ideas, but 'we lost because we do not listen to everyone else?
you do, we can continue to pay 20 € for a cd already 'heard and drew back and with all due respect to everyone.


change the subject, I purposely approached two bands "MC5" and "MARDUK" not by chance, but to highlight how far did the metal music from the dawn of the MC5 in 1969 to the current Marduk, now one of the groups more extreme.

soon!

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BRIEF CONSIDERATIONS

From what has previously been exposed, it is clear that:

- the word "metal" and ' an abbreviation of "heavy metal" (in Italian heavy metal);

- the "metal" and' a derivation of the hard rock music and represents the most impressive and diverse genre of rock history;

- 's hard rock is characterized by aggressive rhythms and powerful sounds obtained with 'emphasis on the guitar and bass and sometimes the voice

- the issues are often violent, dreamy and dreary;

- the metal will take 'the road cut by the' hard rock emphasizing even more 'sounds and texts, but both genders will travel in parallel. Today, after 40 years on the bottle what is considered the first "cry" metal, and you 'format an endless panorama undergrand with an infinite number of bands and subgenres.

- The term "Heavy Metal" also appears in the literature. The first example is the story SOFT MACHINE " writer William S. Burroughs published in 1962, where the character "Uranian Willy" is called with the nickname "The Heavy Metal Kid."

- The first hard rock guitar riffs seem born in the industrial suburbs of the English city of Birmingham by the group THE MOVE.

- music critic Lester Bang The first uses the word "heavy metal" to describe the sound of live BLUE OYSTER CULT.

- In fact, the term "Heavy Metal" entered the common language in the late '70s with the NEW WAVE OF BRITISH HEAVY METAL ( Iron Maiden, Venom, Saxon etc.).

- To date, historians attribute to the band JUDAS PRIEST production of the first complete metal album titled "SAD WING OF Destiny" 1976.

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INFLUENCES PART 4.


Continuing the series of bands which, directly or indirectly, influenced the birth of the current metal it should be noted these two additional groups:

. THE MOVE: British band born in Birmingham in 1965 by guitarist Roy Wood . Very popular at home and almost 'unknown in the States. To listen to the individual:

• "Flovers in the Rain";
• "Fire Brigade";
• "Night of Fear";
• and the LP "The Move".

. LOVE SCULPTURE: trio of Cardiff (GB), formed in 1966 by virtuoso guitarist Dave Edmunds . Initially offering blues covers and are dedicated to cover classical music. To listen:

• "Blues Helping"
• "Forms and Feeling"

and the individual:

• "Sabre Dance" by Khachaturian
• "Farandole" Bizet.