Tuesday, May 25, 2010

Wetness Around The Time Of Period

THE CONCERT

If that one seemed grotesque joke uttered by Ivan Drago in Rocky IV, that "you spiezzo in two" has become a legend on the wrong side, think about a film populated by almost all Russians who speak in this modo.Ecco the dubbing of this film improperly used as a blunt instrument to destroy the good Mihailneau can build its capacity to cinematografica.Un film narration from various anime that starts as a comedy of errors (but here there is no exchange of one person but full orchestra), continues almost as a digression in a picturesque Russia populated by peasants enriched richer and people who do walk the brain to make ends meet (like the main character's wife Filipov former conductor reduced for political reasons in a janitor at the Bolshoi, which included rent for demonstrations). Almost always in the balance between comedy and farce, the film runs light and fun until the turning point in the final minutes: a turn for melodrama, the last part we see a massive concert for violin, concert orchestra.Il and tear tells a distorting lens through a firm at the time of Brezhnev's Russia, but at the same time a prisoner of globalization, the economic power of racketeers and enriched the spirit of initiative of colorful zingari.Quasi a world apart, a planet of another galaxy, a perfect starting point to describe the desire of the West that has all the troops collected by shabby Andrei Filipov (the time of recruitment is one of the most funny, reminded me of the time and not just the same as seen in The Commitments, beautiful film by Alan Parker), driven by very different (and higher) and intentions that are revealed during the movie . E'perlomeno curious reversal of the view of these Russians that the West is seen as a country of plenty and as a congregation of under-suited to their own small businesses (mobile phones in China, caviar) just to reinvigorate the equation Jew = Commerciante.Accanto unsettling moments of buffoonery the Romanian director gives us some colorful characters pathetic prisoners of the past toned monochrome red (from the collapse when the former KGB officer accomplice talk to an official of the French Communist Party, a party reduced to caricature, as I recall with nostalgia the elections in which they had achieved 100% of the vote, saying that no one could do better), some voted only to the need to escape, others moved only by sincere friendship in a barrage of good sentimenti.In this film by the Romanian ethnic comedies like those of which we have good examples in the past (see Machan) or film extolling private enterprise (Full Monty), it's the video But in a globalized world in the wrong direction because of packed crackers that look all, without exception, their own advantage personale.Ci likes to oppose a victim of his lethargic West Eastern opulence and true monument to the vitality and the ability to inziativa.Si ride, you go ahead with an enviable lightness, people attach themselves to some of these characters still show to have a heavy heart as it swells the heart così.Così skilfully brought the audience to empathize what vede.Poi the last twenty minutes, the concert itself, the turning point here is melodrammatica.Ecco out all the storyteller's ability to Mihailneau with simple camera movements that link the different souls of the concert, the first violinist, the conductor, the orchestra hints stessa.La alleviating the theater silent, magically float in the air to melt the various cores and the flashbacks frame used Andrei Filipov to explain why he risked so much just to do this concert parigino.Un moment of cinema magic, no time when the tears of sublime Laurent are almost an added instrument to harmonize the tutto.La transformation is complete, the Westernization is a natural consequence, the world will finally be of all colors, not just one. But please do these Russians speak with an accent a little more normal ....
RATING: 8.5 / 10

Sunday, May 23, 2010

Coffee Table Kidney Shaped

SOUL KITCHEN

The second hybrid comedy Fatih Akin: turkish film set in the far north Europe, the leaden Hamburg already seen in other major films in the decades passati.Due Turkish brothers, one with his shabby restaurant that attempts to merge the pretext soul music with the kitchen, the other thief by half a point in semi-liberty conceded that establishing an lavoro.Dicevamo pretext of trying to merge the kitchen of the tavern and soul music, music of the soul. How you can melt a kitchen which has 40 dishes on the menu that all have the same taste (as he says the cook) and soul music like that? It takes a real creative chef who happened to be found: after a period of surprise by Guest applies his knowledge of nouvelle cusine restaurant, creating beautiful dishes and surprising, to find the cake with the help afrodisiaco.E the real story starts from the new and imaginative cook from the health problems of the back of the protagonist Zinos.Akin does not seem to give up his sources, but shows his roots in Hamburg by the desaturated color that has accolto.Inquadra squalid suburbs with music and coloring pills petty wisdom, dares to wander by the parties of the bar without being ungainly, heavy, captivates the viewer with a variety of suggestions that are not limited to the many laughs ripping film.Akin welcomes us as guests in his restaurant, we sit at his table, we look around and see that the time has stopped, the years' 70 and 80. I half expected to hear in the vocals of disco Nina Hagen somewhere or see his face from bambola.Soul kitchen is a movie that stimulates the stomach and brain, is one of those film set, however, that copyright does not have the arrogance (or even awareness), is a movie character on the edge of caricature but not over-shoot, also decides to have predictable narrative of the joints but do not disturb affatto.Il piece of Istanbul moved to Hamburg is proudly rooted in its identity and its own sources and integrates well with those who have ospitati.Favolosa music (not only soul but also a lot of rock with her beautiful, heavy, distorted guitar) as they are incredibly beautiful titles coda.Un shame to miss as he did most of those present at this crowded projection ....
RATING: 7.5 / 10

Congratulations Messages For Friend Marriage

REVANCHE-I will kill you 'forgive and forget

A geometric flow images to weave the threads of a frantic search for the soul vendetta.E 'Revanche this, a existential noir that turns into a repeated game of mirrors (from a comparison between Alex and the police the photograph of Irina), a winding path required between action and (perhaps) reaction that does not find its completezza.Tutti the characters in this film have something to hide, however, very little is difficult to distinguish between right and wrong sbagliato.Qui who survives and still less uncertainty hovers sovrana.Dalla equivocal outskirts of Vienna, in and out of a brothel, rather than doing gymkhana between poposte indecent, Alex and Irina fled to try to give substance to their sogni.Il half is a robbery, but everything goes in the sbagliato.Alex finds himself alone and he goes into the campaign takes shape padre.Qui his desire for revenge, especially because the ragantela of fate allows him to be very close to the object of what may be his rivalsa.E here continues to Spielmann chisel work on suggestions, wishes and aspirations of the handful of characters at the center of everything in film.Lasciando sospeso.Dalla dehumanized outskirts of the big city bucolic village atmosphere that reigns in the house through the nature of the father of Alex the transition seems quick . In reality, two worlds seem too distant to be part of the same daily routine pianeta.La Alex almost choked him in the brothel who becomes an opportunity here to think, to try to process your grief, for to burn even more his desire to rivalsa.E of occasions it has .... but destiny knows how to be weird ... and I say altro.Il rigor of the staging is complete, the movements of the camera are minimum, intended to preserve the geometry of the frame. A stylistic rigor so absolute that in some ways makes the memory run at Dreyer (hoping not to curse), characterized by continuous tracking shot of a few events left to the imagination with the machine Fixed another frame (the sequence is repeated twice that of the camera continues its forward progress despite the action moves out of range). Other references are more immediate Haneke noir or even European, especially French. The chill inside the characters becomes a paradigm of the crystallization of the staging chilled and chilling in a continuous series of ripples of mind. Revanche asks questions but gives no answers, is a film in which certain gestures lose their meaning entirely, if you try to extract revenge only to catharsis, well then it's all wrong because from such an act can never be a sort of soddisfazione.Revanche film is to see and then to rework calmly, you have to let it settle for trying to understand everything what we propone.E is definitely not little.
RATING 8 / 10

Benefits Nutriact Capsules



Solondz's new film grows on the rotting skeleton of Happiness feeding on debris protean left by the changing Aviva Palindromes.E in my opinion, if you know even a little 'Solondz, that poster with the poster for I'm Not There Todd Haynes (structured film with a character played by various characters like Palindromes) is not casuale.Life During Wartime takes the characters of Happiness quasi-randomized, nevermind faces, skin colors, no matter how long it passato.Gli actors have changed, not the personaggi.Sempre exposed to suffer the most damage that life can bring their , seems not to notice what is happening around them, prisoners of their wickedness microcosmo.La cynical and seemingly spontaneous Happiness is replaced by an almost unpleasantness programmatica.Se distance author by the characters of the movie was nearly nothing, now we're seeing almost a neutral observation by the author that we're placing the camera in the middle of batttaglia, just to borrow the metaphor of the guerra.Non empathizes his characters but it looks like a entomologo.Dall 'apology on its incosapevolezza monstrosity (which unites a po'tutti the characters that fill this film), there was a continuous, gradual rise of the emotional tension which is then of a sudden blown away by the innate taste for the grotesque that the author has always demonstrated since its inception So it is for the child who asks, ottrenendoli, psychotropic drugs to the mother, the child repeats almost as a catchphrase that is almost a man, the mother and the child is so intimate confessions via.Assistiamo a fierce portrait of the other side of America that desecrates and contamperoneamente distrugge.Il problem is that changing times, changing characters but the world in the decaying Happiness is always here present unaltered in anni.Probabilmente immutabile.Per fully enjoy this movie in my opinion is better to have an overview of the film filmography Solondz.Questo addition to being tied hand in glove the already mentioned too many times in Happiness is an ideal continuation (but the state of impasse that afflicts the characters, perhaps contrary to the concept below) also has several references to and Palindromes even escape to college (The new man of Trish). The photo-rich saturated colors by Ed Lachman gives the film an aesthetic from the 50's melodrama, so qull'aspetto orderly houses is the perfect antithesis of that debacle you live in the various stanze.Sgradevolezze in a whisper that after so many years taking an awareness that perhaps the first was not so obvious, so poisonous a portrait of the new American society has something to programmatically organized table, missing the effect Happiness surprise that made a five-star masterpiece, at least for me.Life During Wartime is a film that will gain much by successive visions because Solondz is masterful in his game inlays and subtleties that go beyond the feeling epidermica.Sicuramente successive visions will be visible to other suggestions, citations that may have escaped a first visione.Questo is a film that more than others need to be revised, because it is a fact of sediment those films that do not end with the end titles of coda.Forse Happiness is not a masterpiece but it's always great example of cinema that can not yield to the Hollywood mainstream, which manages to maintain the virulence of his spirit against indie.Orgogliosamente.
RATING 8 / 10

Tuesday, May 18, 2010

Painkiller Befor The Waxing

Konianski


Snapshots of family in the new millennio.Famiglia disintegrated mirror of society and effect itself because of disgregazione.Simon Konianski back home to his father in his car with the sides and laminated flooring in the cargo of his ship fallimenti.E 'formally seeking a job (actually cure his chronic hypochondria testing drugs new trial) and has a degree in philosophy, we find that with each passing minute is a jew atheist, who was married to a non-Jew and who has a child of 6 anni.Intanto bivouac in the house that Dad is looking forward to hunting (see the hilarious to the rabbi that the proposed new amulets and new tactics to send him away as if fighting a war in the trenches) and meanwhile tries to put a strain on his soul from pro-Palestinian jew (in fact Simon brings in the good part of the film a sweatshirt that says Baghdad) Speaking of telling stories inspired by the Holocaust and his nephew as favola.Non goes better with his brother of his father prisoner of a world view in two colors: first the Nazis, by 'other Jews

. and company singing: Simon is surrounded by colorful characters that seem to compete to deny him the latest picture of the tasty certezze.Dopo environment and character with frequent forays into the grotesque and the insane Micha Wald's film becomes a film on the road (subgenus clandestine transportation of the coffin across Europe) Should Simon, the son and uncles petulant to respect the last wishes of his father leave at a time of 'Ukraine not to bury him next to his wife but the first and unforgettable love of his life, a girl who died at seventeen in the first paragraph of this dopoguerra.A acid recognition of Jewish customs and traditions (including a dinner to introduce a Simon a woman suitable for him over alleged brawl in the record) that mixes the grotesque suggestions Louise Michel, the cross Coen humor, the surreal poetry of Anderson in the film becomes a kind of natural son of the great films Liev Schreiber (Everything is lit) hybridized with the style of Little Miss Sundance Sunshine.Da all this big influences, Simon Konianski draws its lifeblood but turns out to be sterile but replication citationist brave and curious collage creative work originale.Un bit like the main character (a real director's alter ego, bespectacled 35 year-old at the time of the film as himself) real work in progress sometimes treated as a cartoon, a sometimes as a hysterical militant ideology antiebraica.Da anthology inserts demented as he goes to take his son to school, when he imagines his wife in sexual acrobatics with his new friend, when entrusting the leadership of his uncle Maurice machine that treats German police officers who stopped him as the Nazis, the ordeal with a plaque riciclata.Ma is absolutely touching even the look that Simon turns to the Jewish collective memory when you look around in the field of concentramento.Per the first time we see the attempt to play down the Holocaust. Although torn by different ways of thinking about recent history, there is great unity in the evaluation of the past and finally becomes evident that father's legacy has left Simon: A return to family unity, and above all a desperate attempt to prevent the memory is lost ..... VOTE
7.5 / 10

Thursday, May 6, 2010

Forum Post 2010 Lorna Morgan

SIMON THE INN OF MARY, PIANELLA (PESCARA)



A small room, almost hidden behind a keeper's cottage, almost a cooking workshop with ipertipici.Qui products are not simply the kitchen casareccia.E 'much more. And Gabriel with his passion for cooking and to illustrate its food is good guide to learn a little better what we dare say irrinunciabile.Si mangiando.Una guide begins with a sliced \u200b\u200bvery simple, Italian-style ham, seasoned pork loin and sausage as well as pecorino.Il accompanied by bread with oil, of course all made artigianale.Si continues with a crouton with tomato sauce and enter the strong point of this room: the first piatti.Gabriele has definitely exaggerated (in a good way): First we clean up the mouth of the tomato with a Crispell all'abbruzzese, crepe folded to make a bundle and filled with mushrooms and delicate macinato.Sapore, devoured by bimbi.Poi also continue with the ravioli to the three flours (maize, wheat and wheat flour) filled with cheese sheep served with pasta sauce carne.La is consistent, tasty, Gabriel explains that these dumplings are so massive that it takes about 20 minutes to cook the ravioli 4-5 against normali.Last but not least the rings to pecorara: The pasta is made by hand, is so thick that it takes about 40 minutes to cook without counting the time it takes to give form to anello.Il sauce and meat, ricotta, zucchini and melanzane.Una real treat.

Then the second: it starts with kebabs and then the sheep pig, stuffed with melt-in-hand and bocca.Poi mixed grill of pork and mutton (which has nothing for the taste of classic ' lamb). For potatoes to accompany the second and Frissora insalata.Per finish the cake is represented by the filled pasta with cream and called fishing cioccolato.Come digestive Gabriel makes us the first taste ratafia of its production (a cherry liqueur lightweight but very good) and in the end it gives a bottiglia.Che say more than that already written? dishes speak for themselves, the price is quite popular (25 euro per person all inclusive), the number of Gabriel is jealously guarded in my portfolio in anticipation additional sorties ....

Pasta Express Model X3000 Reviews

WHAT I WANT MORE OF' THE PROPHET


Can I say it? To me, this last film has left a Soldini po'd'amaro in the mouth, because a wire delusione.Sarà I always loved his movies, which for me will have his own way across to tell love stories, I went to the movies with a lot of expectations, some of which have been completely deluse.Non but because I do not deny the film its pleasant, light, but if we rest indubbia.Del Soldini illustrator is great urban views that at first glance have little to cinematografico.Veniamo nodes: I think that throughout the film Soldini there is an uncommon ability to tell the nuances, color of the up and downs of an ordinary love story based on small gestures, almost insignificant, there is always a gentle, almost natural to begin an understanding between two lonely souls and then possibly something else, more profondo.Qui step instead of two souls trapped in a marriage with children and living together that meets both, involved in a fiery relationship is almost brutale.Sicuramente amicable if not beyond the bounds of credibility: a negative approach, a half-word, and from there I wonder why the invitation for a coffee and a phone number marked in pen on a business visita.Credo that in love stories told by the director of Milan is especially important during the transition from a sort of indifference mutual profondo.E to something more 'bout the beginning of history, even when you do not program anything, when you contemplate a report and idealizes the partner.O perhaps even earlier when still do not have the awareness to have a partner.Il period of rapprochement between the two future partners, the better understanding, a change from a simple physical rating to something far more pregnante.Nella story between Anna and Domenico all this is pari.Dopo skipped a couple of fruitless attempts grotesque, skirting the hotel for hours to release their repressed instincts, to give rein to their animal wants to mate, to unite their lives opposing the film corpi.E this animalistic sexual activity of the complications except Wednesday (a bit like Chereau's Intimacy), a sort of escape from the real world to isolate themselves in a limbo of soft lights, mirrors, Jacuzzi and 50 euro every 4 hours at overwhelmingly made up of daily routine work, financial difficulties and relationship difficulties with his wife and their unmarried famiglie.Come is told by others that a proletarian love in times of crisis soverchia.Se that all I have to say my impression that I have treated Soldini Anna's character much better than that of Dominic Rohrwacher has the opportunity to express his best all his wealth of neurosis, gestures like Juvenile, ripple, insecurities and humoral differences that have made me appreciate even more film in which the character played by recitato.Il Favino is decidedly one-dimensional, nuanced and very thorough, a prisoner of its own testosterone more than love, proud bearer healthy buttocks marble as the marble his acting: in discussion with a friend of mine told me that she had seen him a lot more passionate lover (and rich) in Saturn in Opposition and I had to give her a little too convinced ragione.Mi hubs narrative: seemingly nice subdivision in various chapters of the black screens, but apart from that it seems too easy the way they start a story as it appears just the harmonious union that brings almost a brawl in the street to walk hand in hand Tunis, away from everything and tutti.Lui inclined to enjoy the thrill of the moment, she always inclined to ask questions about possible consequences of their actions and the vagueness of the future for their already storia.Sembrano long time since she stared at the phone on the sly to find out if he had sent a return messaggio.Al consapevolezza.Una the thing I found strange is that normally when it comes to stories adulterous they tend to side with those who suffer this injury: Soldini in this film is a sort of process or attempted justification of their adultery almost like a longing, a last chance to return to breathe he must escape from a neurotic wife, from her relationship with a man with whom he seems to share this part nulla.A Cosavogliodipiù two hours despite the abundant flows away quickly and painlessly in his proletarian chic.Credo minimalism that much of the rating that will be due whether or not the public identification with the various stories: stories normal people just lived by the rules included in a social fabric that is undergoing a severe crisis economica.C 'is who you identify with the adulterer / a necessity, those in so-called cornificati, who in the chorus of friends who gave them to cornice.Perchè, as the title of an old movie with Valeria Bruni Tedeschi, normal people do not have anything exceptional .....

RATING: 6.5 / 10